Editor’s Note
The task of selecting and arranging poems on different topics and in different styles can be difficult. However, it can also be rewarding. Sometimes it is only after the work has been completed that we marvel at the wonderful end result. And in the process, no matter how chaotic or hopeless, we must continue and push on to the finish line. The editing process is like the subject of poems about resiliency, coping with loss and regret. It is all about the ability to find purpose even when it doesn’t feel like there is any, yet we refuse to quit on life. Christine Candland’s “Princess” illustrates this same perseve-rance: the mother holds down all the turmoil at home, with a baby and a toddler in tow, teaching “elementary, up before six: arithmetic, reading, story time” and reviewing lesson plans—all in a “satisfying day,” so her home is “content with vibration” as she counts her blessings.
In order to write poetry, it is essential for poets to read and find joy in that journey of discovery. Most importantly, poets have to nurture their artistic sensibility—much as gardeners have to tend to their plants so that the seeds sprout and bear fruit. Our everyday lives are filled with thoughts and feelings of love, peace, and happiness, sorrows and disappointments that are unpredictable from one moment to the next.
As a veteran of the U.S. military, even after experiencing war and death, I know we cannot let the turmoil of negativity stop us from enjoying our lives to the fullest. There is more to life, even more beyond this world. All one has to do is to believe. At the end, everything balances itself out. In “A Chime Sitting on the Feeder,” Sharon Lopez Mooney notices that “there’s nothing to do today except enjoy” after watching songbirds and wrens dance without worry. Their collective jitteriness, irregular rhythms as they play “hide & seek” in her ficus tree, can only mean one thing—that we have no choice but to see beauty everywhere, especially when life reveals difficulties... not only when life is easy. May the light guide us on this road on which we’re all traveling. Please enjoy the journey!
Bory Thach, Editor
San Bernardino, California
TABLE OF CONTENTS
California Quarterly, Vol 48, Number 3, Autumn 2022
Evanescence Greg Stidham 7
The Color Empty Bella Hanlon 7
Princess Christine Candland 8
Her Grace Gloria Keeley 9
Southwest at Dusk Laura Johanna Braverman 10
Sun-dipped Skin Bella Hanlon 11
Bubble Gum Tara Cummins 11
Candle Watcher Alessio Zanelli 12
Bloodline Jane-Rebecca Cannarrella 13
In The Belly of a Canoe Cindy Rinne 14
Tule Elk Preserve in March Vivian Underhill 15
Secrets of the Trackless Field Laura Johanna Braverman 16
Oncoming Traffic Francesca Astiazaran 17
Dirge for Solo Voice Sharon Lopez Mooney 18
Hay Rolls Richard Dinges, Jr. 19
Late Night Visitor Greg Stidham 20
Life’s Menu Danny Barbare 21
Lament on a Baked Fish Mike Maggio 22
Gratitude List #18 Ace Bogges 23
A Chime Sitting on the Feeder Sharon Lopez Mooney 24
Rooftop Blues Ann Olive 25
Wavespell Alessio Zanelli 25
Waves of Blue Katia Aoun Hage 26
Long Play Record Dan Fitzgerald 27
Pink Moon, Red Light Ann Olive 28
Night at the Beach House Gloria Keeley 29
Seven Ways of Looking at a Cardinal in Late March Henry Stimpson 30
Star-crossed Wendy Blackwell 31
A Story of the Sea Bhibu Padhi 32
August Heat Richard Dinges, Jr. 33
Teetotaler Becky Nicole James 34
I Wonder What Heaven Looks Like For You Angelica Medlin 35
Night Sky at Groveland Michael McGuire 36
Endless Spring Gary Metheny 37
Manzanita Cindy Bousquet Harris 38
Tears of St. Lawrence KL Straight 39
Welcome Allison Collins 40
Isn’t She Lovely Francesca Astiazaran 42
Belonging to the Sky Russell Rowland 43
Across a Lost Horizon Jane Stuart 44
The Glistening Edge of What Remains Ken Holland 45
Ara’s Silver Ambika Talwar 46
Secret Pain MariaJane Gitchell 47
That’s, Interesting: Becoming A Castaway David Bethel 48
In Loving Memory Wendy Blackwell 49
Roadside Roads Jeff Graham 50
An Eagle at Starved Rock Lucia Haase 51
Idyll Jessie Lim 52
Meeting Spot Deborah P. Kolodji 53
Seasons Mary Elliott 54
Homeland Awaits Conner Frederick 55
Butterflies in the Killing Fields Sally Vogl 56
The Calling Ella Czajkowska 57
Jar of Reasons Cindy Bousquet Harris 58
Cribbage for Two Sally Vogl 59
Afterlife Bory Thach 60
Cover Art: Ambika Talwar, Gateway for Ascending Lilies. Acrylic on canvas. 24x24 inches. (c) May 1996.
Contributors in Alphabetical Order 61
CSPS Contest Opportunities 62
CSPS Newsbriefs 2022, No. 2 (Maja Trochimczyk) 63
Publishing Opportunities with CSPS 65
2022 CSPS Donors, Patrons, and Membership 67
CSPS Membership Form 68