Friday, October 1, 2021

Contents of the California Quarterly vol. 47 no. 3, Autumn 2021, Edited by Konrad Tademar-Wilk

California Quarterly, Vol. 47 No. 3, Autumn 2021

Edited by Konrad Wilk

Cover image:  Arctic IV, oil on Board 5x5, 2017 by Danielle Eubanks


TABLE OF CONTENTS

Slavonia in my Mother’s Heart           Sonia Sabanac                   7

Chicago Sonnet #19                             D.A. Hosek                       8

The Game of Tag                                 Jason Visconti                   8

To Name is to Cause to Exist               Estelle Bajou                     9

Summer Vacations                              Jason Visconti                   9

Mary Sidney Herbert Pleads with  the Eglantine Growing in Her  Brother's Garden        Deborah. H. Doolittle      10

She Breathes Only Trees                     Jean Varda                      10

Vows                                                    Haleigh Yaspan               12

Customer Service                                Andy Roberts                  12

Talking to My Younger Self                Anne Christine Tabaka    13

Signs                                                    Tamika Dooley                14

Becoming                                             Tamika Dooley               14

Yancy Carter, In Memoriam                Konrad Tademar-Wilk     15

Dream Horses                                      Alun Rees                       16

Wings                                                  Claire Scott                     17

Metamorphosis                                    Angelika Quirk               18

Why                                                     Alessio Zanelli                19

Message                                               Bertha Rogers                 20

Violets                                                 D. F. Walker                   21

Factory Boss                                        Charlie Brice                   22

Digestion Comes Slowly                       Erika Goveia                   23

Icarus after the Crash                         Patrinos Konstantinos       24

Dancing Ellipses                                  Patrinos Konstantinos      25

Mountains                                           Jeffrey L. Taylor             26

Variations on an Ode                           Amy Moore                    26

Amargosa Delta                                   Amy Moore                    27

El Zonte                                               Steve Lang                      28

On a Fine May Morning                      Steve Lang                      29

King Tide                                            Julia Park Tracey             30

Perfect Day (A Minute)                       Emory Jones                   30

2 a.m. Evacuation                                Cooper Young                 31

Evacuating with Smoked Chickens      Carol Park                       32

Tiny Altars                                          Marie Marchand              33

Allegro on Broken Piano                     Taeyeon Han                   34

Reality                                                 Jane Stuart                      35

Autumn Night                                     Edward Garvey               36

Homecoming                                       Mishra Debasish              36

At a Pullout Along Grizzly Peaks        Cooper Young                 38

Super Mario                                        Mishra Debasish              39

Summertime Dinner                            Jes Burke                        40

Quantum Birds                                    Ida Marie Beck                41

To Drown in Asphodel Meadows         Matthew Mayes               42

I Am Not the Center of My Own Universe       Mary Ellen Talley            43

Desiccation                                          Richard Dinges, Jr.          44

I’m Sorry, Mr. Webster…                   Judy Barratt                    44

Homer’s Girl                                       Christine Candland          46

Ghazal for the Quarantined Woman   Mary Ellen Talley            48

First Memory                                      Jerry Smith                     49

You Can’t Tell a Venomous Snake…   Cameron Gibson             50

Fred and Ginger Nowadays                 Craig Kurtz                     51

Sonnet Pour Edith Piaf                        Robert Fleming               52

Sonnet for Edith Piaf                           Robert Fleming, tr.          52

First You Must Be Aware What

Is Coming                                            Patrick Meeds                 53

A Perfidious Lover                              Nidhi Agrawal                54

Shiv Tattva                                          Nidhi Agrawal                 54

Learning to See                                   Lynn Domina                  55

Simchat Torah                                     Maureen Sherbondy         56

Barganing with the Stars                     Maureen Sherbondy         56

His Head: Three Painting and One Mosaic         Lynn Domina      57

Memory of 2001                                  Konrad Tademar-Wilk     58

Ellipsis                                                 Joel Schueler                   58

 

COVER ART

© Danielle Eubank. Danielle Eubank, Arctic IV , Oil on board, 5x5 inches, 2017. Arctic IV is part of Eubank’s One Artist Five Oceans project. Danielle Eubank has painted all the oceans on the planet to help raise awareness about the state of our oceans and climate change. www.danielleeubankart.com.


EDITOR'S NOTE

Chaos becomes us. Poetry cuts through the chaos by creating shapes out of metaphors. California breeds both: chaos and metaphors. It is in fact its own metaphor, found in songs and in allusions in poems. I was struck by this season's poetic diction. An attempt to carve out sanity from a year full of frustration. Many of the verses I read struck at the nerve center of the heart. Some words were so poignant that I could not help but be arrested by them. The language of poetry is sometimes cryptic, but at once it has that sharpness with which to cut through the confusion. 

      I used a light touch. If the poem arrested me in my tracks, stopped me at the moment of turning the page, it demanded to be seen by others. If It caught my eye before I even read it, that certainly spoke to the heart, to the universal center of the soul. Upon a second reading, if it sang, or whispered something I didn’t see on the first read through, this was a suggestion, a strong one that the poem was good. Of course, there were some poets who submitted more than one good poem, sometimes all the poems they submitted were astonishing. Others submitted one amazing verse among weaker ones that were in its orbit. It was easier to pick the winner and put aside the satellites. 

       There were verses that reached deep into the past, adhering to old forms and ancient rites. Others that were decidedly future looking, demanding a forward momentum to carry them to the pages of the quarterly. I didn’t flip a coin. I marked with a pen. I printed the poems, held them, often more than once. You choose that which demands to be chosen, set aside that which must be set aside. I am not partial to any mode of expression, but I certainly appreciate discipline which arises from a good use of metaphor, meter, style, rhyme, all the tropes and building blocks of poetry. But sometimes a poem without those does something new, speaks. The ones presented in this volume are eclectic. They reflect not only their own excellence but my mood, my reception at the time of the reading. They spoke to me, some even yelled so that I had to pick up a page...  Read twice, some of the poems deserve a third or even fourth reading. 

      I want to thank Maja Trochimczyk for the chance to edit this issue. But also for her patience, the learning curve was quite steep, since the selections were many and varied, the effort needed was much bigger than anticipated. Enjoy its fruit!

Konrad Tademar-Wilk



KONRAD TADEMAR-WILK,  EDITOR

Elected to the Board of Directors of CSPS in May 2020, Konrad Tademar Wilk is an American poet living in Los Angeles. His works range from single sonnets to epic poems on themes including current events, myth, and philosophy. In addition to American subjects, his work is strongly informed by international events and history, especially those of freedom and oppression. Tademar's early childhood was spent in Poland where he was particularly influenced by the rise of the anti-communist Solidarity labor union.

Following his return to the U.S., he studied philosophy and literature at Los Angeles City College where he was president of the Poet's Platform. He then went on to graduate from UCLA. His poetry book Fifty Sonnets, titles like labels only get in the way... is available for purchase on-line.  Other poetry chapbooks are out of print. He is currently working on two epic poems "Prometheus" and "Trafficking In Time" - scheduled for release in the near future. He has appeared in Los Angeles venues such as the Onyx, Ground's Zero, Magicopolis Theater, Wilshire Art Gallery, Bolton Hall Museum, and Pig and Whistle. In 1991, he founded the Witching Hour Poetry Gathering which has met continuously for over 20 years. 

Additionally, he is a founding member of the Pecan Pie Organization, dedicated to artistic promotion and stage performances.  Mr. Tademar recently served as the artistic director for Warsaw 80/75 performance of poetry, dance and music, celebrating the 80th anniversary of the outbreak of WWII (German attack on Poland), and the 75th anniversary of the Warsaw Uprising in 1944.  The event was held at the Santa Monica Playhouse in September 2019.




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