Monday, August 16, 2021

Village Poets Present "Blue and the Blues" Anthology and the California Quarterly 47:2, August 22, 2021

California State Poetry Society informs its members and poetry lovers about a reading organized jointly with the Village Poets of Sunland-Tujunga. We are thrilled to present a wonderful anthology edited by Carole Boyce, Blue and the Blues on Sunday, August 22, 2021 at 4:30 pm via Zoom. The reading will also present poems published in the California Quarterly 47:2, Summer 2021 edited by Maja Trochimczyk.  Email DMHSkiles@gmail.com or maja@moonrisepress.com to receive the Zoom link to the reading. Two segments of open mic poetry available. Typically we hear two poems from each poet. 


Listen in to the Pisces Publishing anthology, Blue & The Blues on August 22 at 4:30.

You will experience BLUE in all its glory as poets explore the literal color blue, the emotion of feeling blue and the genre of blues music. Within each phase, each poet has a very different spin on the subject. This is a unique collection and after listening, you may have a new favorite color! 

Carole Boyce

ABOUT THIS BOOK:

"What a Concept! Blue would be more than pleased about this tribute to her essence. This unique anthology brings poets together to glorify the color blue, to write about the emotion of feeling blue and to pay tribute to the genre of blues music. Hues, moods and music; this collection is as varied as poetry can be with a broad spectrum of interpretations, both literal and figurative on each section. The book demonstrates the range and complexity of the creative mind.  The author of More Than A Color makes clear to the reader that the actual pigment is viewed as a safety net; a source of comfort and strength, available as needed. In Blue, she says “there’s a shade for every person” and lists some blue colors and emphasizes in the final lines: “I live blue. I speak blue. It’s a language you know. I love blue.”

From a review by  Adrianne Lawson-Pope  published in the Poetry Letter No. 1, 2021.

 https://www.californiastatepoetrysociety.com/2021/02/poetry-letter-no-1-2021-reviews-of.html

More Than A Color

Can you see it?

Do you feel it?

Can you hear its call?

Listen, open up, welcome it

Blue is present

And it presents itself to you; for you

To use as needed

Let it envelop you

Blue song to soothe you

Blue walls to surround and protect you

Blue blanket to warm you

Blue skies to cheer and comfort you

If you find yourself at the brink of collapse

Grab onto Blue

It will bolster you and sustain you

Because Blue is not just a color

It’s music, a mood, a heartbeat

It offers an atmosphere that allows you to choose

Whatever sustenance you need

Its many hues can handle any request

No need to leave the spectrum

Blue satisfies it all


(c) 2021 by Lynn Brown

California Quarterly, vol. 47, no. 2, Summer 2021
Cover art: Susan Dobay, "Butterfly"

More about this volume on CaliforniaStatePoetrySociety.com:


Maja Trochimczyk

Editor’s Note

Mother – the same word in many languages, the first syllable of a baby, the easiest to pronounce: matr. मातृ (Sanskrit),মা Mā (Bangla), मां maan (Hindi),  ਮਾਂ Māṁ (Punjabi), அம்மா Am'mā (Tamil), mater (Latin), mutter (German), màthair (Scottish), móðir (Icelandic), moeder (Dutch), madre (Italian, Spanish), motina (Lithuanian), mère (French), мајко (Serbian), майка (Bulgarian), mãe (Portuguese), แม่, mæ̀ (Thai), mẹ (Viet-namese). It is мама in Russian, mama in Polish, Romanian, Swahili, and umama in Zulu. Most of these languages are Indo-European, but even the Chinese are not free of the omnipresent “mm” in 母親 Mǔqīn, or 媽媽 Māmā. We have one translation from Chinese in this issue, by Yun Wang, and another one, from Italian, by our indefatigable Margaret Saine. People who speak multiple languages gain insights into multiple cultures and are really blessed. They are able to recognize the essential human unity in the delightful diversity of nations and cultures. 

While editing the CQ, I like finding shared themes among submissions that bind poems with a common thread. This time, I found mothers, daughters, the joy and loss of childhood, but also solitude, pain, resilience, the Earth, Gaia – our Mother, teeming with life… and the wings of a butterfly, that came out of a humble, hungry caterpillar crawling in the dirt. A lovely butterfly graces our cover in a joyous image by Hungarian-American painter Susan Dobay (b. 1937). Back in 1956, she escaped from Hungary after the Soviet crackdown on the nation longing for its freedom. As long as communist repressions, violence and wars continue, refugees will stream out of lands of totalitarian oppression, searching for countries of peace and freedom. Are any such countries left on this planet? Is there anywhere to escape to? Our escape, as poets, has always been internal: the world of poetry and imagination. The world created by our words, our visions that have become a shared reality in the California Quarterly 47, No. 2. Enjoy!

Maja Trochimczyk, Ph.D.
Editor



Aquamarine


lucid
          lucent
                      translucent
                                waves of the Pacific 
 jade, turquoise, aqua

sea foam                 in the air                
                sea foam             on my skin

I dance on the currents 
       floating with the relentless motion
          to the shore 
                          to the shore
                                             to the shore

sea foam            on my skin
           sea foam                     in the air

Aphrodite comes up from the ocean
               carried on a dazzling shell by dolphins  
                                                      the wisest of creatures
lucid
            lucent
                              translucent

fizzy bubbles on my tongue – 
                        I swim in the champagne ocean

Salt of the Sol – sunshine of vitality
                                   I praise the elemental power of Water –                                                   
Air – Wind – Earth – Fire
                                     always Fire – ogień, Agni

eternal flames stir the waves 
          into dancing 
                    to the shore 
                             to the shore 

                                        on and on
                                 to the shore
                                                              to the shore
                                                                          to the shore

(c) 2020 by Maja Trochimczyk
Published in "Blue and the Blues" anthology edited by Carole Boyce

 


Mason Bees

 by Maja Trochimczyk


I share my roses with the mason bees –

Iceberg leaves they like the best, cutting

circles and ellipses from the edge, inwards.

 

Iceberg roses, not iceberg lettuce, mind you,

that’s far too crunchy to make soft beds, wrapping

bee babies in green, white or pink silkiness,

 

smooth and pliable like we ought to be, smiling

under the merciless gale of time, raging river

flowing backwards, always backwards.

 

I used to get angry looking at my mutilated

roses – white blossoms, a defense against evil

guarding my front door like bee soldiers in the hive

 

ready to sacrifice their lives – just one sting

and the miniature fuzzy warrior’s gone – having

lived just to protect and serve us, the worker bees,  

 

buzzing around our lives, cutting circles and

ellipses in white roses. Bees and humans, we are

all children of the Queen Bee, Gaia, our Mother.

 

We make honey of our kindness, virtues, character

wisdom, self-reliance. Attentive, focused on the next

perfect circle, semicircle or ellipsis – we breathe deeply,

 

delight in drinking nectar, carrying pollen of emotions,

sights, impressions – flying back home to make the sweetest

gold, translucent honey of our poems, of our dreams.



(c) 2021 by Maja Trochimczyk

Published in the California Quarterly vol. 47 no. 2, Summer 2021


Pacific Ocean and Iceberg Rose photos by Maja Trochimczyk 



Friday, July 30, 2021

CSPS Monthly Contests Winners, January - June 2021


Congratulations to all the winners of our Monthly Poetry Contests in the first six months of 2021. The prize-winning poems, selected by our Annual Contest Judge, Alice Pero, are posted below. 

The second half of the year will have the poems posted in January 2022. All Monthly Contest Winners will also be listed in the California Quarterly 48:1, Spring 2022, in the Newsbriefs section. All prize-winning poems published in the Poetry Letter No. 1, 2022, Spring 2022.

January 2021 - First Prize Winner

Sanctuary 

by Emory D. Jones


Bent grasses hint

at the passing of unseen winds

and spirits.


Spires of black spruce,

 rise out of moss

and point skyward,

their broken branches draped

with a haunting thin gauze

of lichens.


Poisonous red capped mushrooms stand

like miniature tables and chairs—

fungus furniture

that some secret night

might have hosted

the “little people”

so important in the folklore

of the native Ojibwa.


Something spiritual lives here,

something dark

something old.


January 2021 - Second Prize Winner

The Summer of Fire

by Marlene Hitt

... only a few clear days to see mountains

that summer of smoke. 

It blew north to south, west to east,

then due westward with a thick canopy

veiling the sky.

That one morning, dawn sun

rose red as a bloody yolk

fiery as those flames 

that devour ridges and ranges

licking them clear of chaparral.

That sun spread orange on the sheets

where we lay while orange flames

covered thickets and nests.

Fire! 

You have such a terrible craving

reducing cedar and pine to

blackened stumps, sumac to ash.

We pray for rain to bear you downhill

to melt the rage of you.

This morning in the orange light

air is pungent;

the smell of black brush,

the fear of live creatures.

After the night of fire 

I do not fret over the smell of

last night's onions

nor do I light a bathroom candle

but gaze out to yellow-grey,

watch the mountains disappear. 


January 2021 - Third Prize Winner

The Coming Snow

by David Anderson


The lone buffalo grazes

            ninety feet away

                        from a single giant pine.


This landscape hangs

            unbalanced

                        by the haze of a coming storm.


Coated with ice

            the buffalo

                        continues to bite


the short grass

            we cannot see

                    under the shifting layer of slush.


Spare winter feed belies

            the flourishing tree

                        which, like the buffalo,


stands alone

            and catches the diamonds

                        of the oncoming snow.




February 2021 - First Prize Winner

Speculation

by Claire J. Baker


                  I learn by going where I have to go.

                                       ~ Theodore Roethke


My love & I are a blink

in time's polished mirror

a tinkling of bells

a sprinkling of savvy

filled with drama, trauma

& triumph.


In the center of our story 

we gather anise

& rosemary for soup. 

After reading The Waking

we realize we read

each other easily. 


Speculating

we will love forever,

clinking glasses 

surely makes it so,

& so for now

we gloriously come and go.



March 2021 - First Prize Winner

Just One Thing—

by Julia Park Tracey


Between two trees, a pretty 

patch of light like sun on water, firelight on walls—

like rain against the window, where every gleam’s

a jewel—

Mica in concrete. Ice crystals. My

wedding band with a diamond for each child.

William Carlos Williams’ broken glass

and Lucy in the sky, all shining with that

unbearable beauty, the only thing

that keeps my two feet moving when I should otherwise 

collapse. A sparkle so bright it 

waters my eyes. A light so delicate and sharp

like the first breath on a January morning.

Strange that’s all it takes some days to endure.

So little. So much.




April 2021 - First Prize Winner

Aboriginal Americans

by Colorado Smith


A windblown iris-blue sky,

flint chips and black-on-white shards

are peppered among red-rock spires

where, centuries of centuries ago,


yucca-fiber sandals pressed braided tracks

into this barren barranca

leading down to a sulfur spring.

Summer monsoon mud

and smoldering sun seared their trace

into castellated Cañyon del Muerto

in the Dragoon Mountains.


A fevered history and sacred legends

from the People’s Chantways

speak of spiritual geography:

ancestral burial cists,

shamanic blessings;


of salt-pilgrimages to the Sea of Cortez,

of crossing windswept sands

and silver playas;


of parched, desert dreams:

mesquite-bean mortars,

palo verde,

and Sages.




April 2021 - Second Prize Winner

Plein Air, Oxford

by Teresa Bullock


There. Near the pinking apples

stands a giant chestnut shading the yard.

On the ancient wall crusty with lichen,

a resting cat sits sentry. Plush gray,

a boat cat by trade, he stops by

for a lap of milk and tummy rub

before padding  home

 to his long boat on the Isis.

Downy cygnets paddle around his boat,

bobbing and weaving for slick grasses.

Sculls swoosh by like needlefish.

Look again. Up river

 a cow herd cools under

long lashes of willow. Port Meadow

glows golden in the late sun. The palette:

Mud Brown, Tree-Canopy Green, Sky Water Blue,

Shadow Black. For the cows -

quick strokes in white and rust.




April 2021 - Third Prize Winner

Praxilla's Folly

by Ruth Berman


Sicya — a fruit like the cucumber

Or the gourd

Eaten ripe.


In Cucumber Town

In Sicyon near Corinth

Praxilla mourned Adonis in the spring.


Her Adonis, sprouting in the garden,

Spoke of what he missed,

Being dead:


     Sunlight

     Starlight

     Moonlight


     Ripe cucumbers

     Apples

     Pears.


Silly as Praxilla's Adonis!"

Men in other

Cities hooted


Shocked that an idiot woman dared

Put cucumbers on a par

With the celestial glories

In Cucumber Town

Praxilla

Ate fresh salad


Her bite of immortality

Succulent

With earth-born flavors.


In the land of death, Adonis

Waiting for the spring

Remembers sunlight on the garden.




May 2021 - First Prize Winner

Is that a Bird? 

by Luise Kantro


Well, Joan Miro.

I don’t get it.

A moon.  A star.

Five, maybe six, wacky, tilted heads.

I see no birds.

Crazy gymnasts, birds are.

The air.  The cloudless sky.

That weightless sensation.

Really, I see no birds.

Why call your painting

Women and Bird in the Moonlight?


As for the heads –  

mere faces with eyes

nose and mouth. 

Are they the women?

Where are the boobs

the painted nails

the wombs?

The shapes part I get.

Round, pointed, curved.

Shapes are cool.


      Oh my, is that thing a bird?

And those colors, orange and gray.

I can almost feel sun’s warmth touch my skin, 

loamy earth crumble in my fingers.


Best of all, through memory’s eye,

I see the marvelous drawing my son,

at five, made of a child sitting at a table

watching his orange juice fly across the room.



May 2021 - Second Prize Winner

Mending its Own Business

Elaine Westheimer

Mending Its Own Business


Slick, midnight black, big as Poe’s 

imagination, bird claws wood

where leafy tears flutter like 

green crystals under a jay-blue sky.


Seems nothing like a writing desk* 

as I spy its folded span amid tree 

sway and sprawl, a warrior hunter 

alert for prey and insurrection.


Beak snaps off a sizeable twig, 

I guess for a nest, and then takes

flight; my wild-thing thoughts 

turn to domesticated musings.

______

 *Why is a raven like a writing desk?" 

is a riddle proposed by the Mad Hatter 

during a tea party in Lewis Carroll's classic 

1865 novel, Alice's Adventures in Wonderland.  




May 2021 - Third Prize Winner

The House Knows 

by Elizabeth Kuelbs


The house knows this baby’s zipping her bags 

bound for some wild place riddled with termites 

or leaks or views of cracked bricks. 

All the babies are the house’s favorite 

so she sings remember like a circus at the end of the world 

tumbling lavender Easter eggs from under the sofa, 

sunshining the floor with golden nap patches, 

percussing the stairs with ghosts of first steps and high heels, 

breathing fresh sourdough and butter from the kitchen, 

cajoling flocks of orioles to trill in the backyard poplars, 

and plinking scraped knees and triumph on the worn piano. 

But this baby, bound for some wild place, 

just kisses the front door, then rolls her bags down the walk 

where the weeping cherries froth blossoms at her nonstop 

and the grass greens so hard, stretching pluckily skyward—  

you hear me, baby? the house calls,

you stretch skyward always, 

lawnmowers or no damn lawnmowers




June 2021 -  First Prize Winner

The Ghost in the Restaurant 

by Gail White


If I'm not fit for heaven, let me haunt 

Venice, I prayed. And now I have a front 

Row seat at Florian's, facing St. Mark's square, 

To start again my oldest love affair. 

It's true the waiter never comes to take 

My order - understandable mistake 

Since I'm not visible - so what's the use 

Of showering the servants with abuse? 

People sit down around me. I don't care­

Catching the pageant from my vacant chair, 

I see the paving stones grow bright with rain, 

The pigeons cluck and stutter, twilights wane 

To starry nights. I watch, while thanking God,

God, the changing lights that turn St. Mark's facade

from gray-green stone into a sheet of gold. 

Don't sit down suddenly. You'll feel the cold. 



Southern California photos by Maja Trochimczyk: Venice Beach, Hermosa Beach, Big Tujunga Wash




Wednesday, July 21, 2021

New Book by Elizabeth Yahn Williams, Dr. Edith Jonsson-Devillers, and California Quarterly 47:1 edited by Bory Thach on July 25, 2021, 4:30pm Zoom

For its July Monthly Reading on Zoom, the Village Poets of Sunland-Tujunga present a new book by Elizabeth Yahn Williams, Flourishing - Florescence,  including her poetry published with French translations by Dr. Edith Jonsson-Devillers. The reading will also feature poetry from the California Quarterly 47 no. 1, Spring 2021, edited by Bory Thach and published by the California State Poetry Society.  

The Monthly Reading will take place on Zoom, on Sunday, July 25, 2021 at 4:30 pm.  DMHSkiles@gmail.com will forward you the invitation, when requested.


Elizabeth Yahn Williams flourishes as a poet-playwright, educator, speaker, and emcee. A native Ohioan, she has earned grants for studies in several states and foreign countries. Through a Ford Foundation grant at UCLA, she became a California Lifetime credentialed English educator and was named a “most distinguished honorary lifetime member” of the Phi Theta Kappa Chapter at MiraCosta Community College in San Diego for mentoring their honor students.  A graduate of Loyola Law School,  Elizabeth is recognized as a Marquis WHO’S WHO Lifetime Achiever in law and writing. She has enjoyed an imaginative life, from directing in her community’s theatres to teaching creative problem-solving and poetry at  libraries, colleges, and churches. Often performing with Bob Lundy, her Partner-in-Rhyme, she can be reached at ElizabethYahn@gmail.com and seen on their site: www.HITHERandYAHN.com


Dr. Edith Jonsson-Devillers taught as a professor of French and Spanish at U.C. and other universities in the U.S. and Europe. She first came to this country on a Fulbright fellowship and eventually founded and ran her own language school and translation company. As a scholar in Comparative Literature, she wrote or translated and published many works in French, English, and Spanish. Her poetic translations include works by Mexico’s Octavio Paz and Guadeloupe’s French poet, St-John Perse, both Nobel prize winners. Her expansive interests have led her to translate Latin America’s Helena Araújo and Nela Rio, as well as works of Indian mystics.

Flourishing – Florescence by Elizabeth Yahn Williams with Art by Marion Wong and French Translation by Edith Jonsson-Devillers. Guidelights Productions, 2020. 130 pages. ISBN 978-0-9967170-4-5

About this book: "Poet and California State Poetry Society member Elizabeth Yahn Williams is premiering her new bilingual collection, written in English and French in collaboration with  her gifted translator Dr. Edith Jonsson-Devillers.  A display of the mastery of free verse and rhyme, Flourishing – Florescence includes evocative haiku and senryu, along with other poetic forms. Here, Elizabeth Yahn Williams investigates the many ways that life, enhanced by poetry, encourages each of us to FLOURISH. Whether, as a reader, you are looking for inspiration or for motivation, one or more of her offerings will speak to you in words both lyrical and stimulating. With vivid imagery Elizabeth creates poignant vignettes that will relate to your own life in unexpected ways. You will find humor in the rhymes of “Perusing the Parrot,” pathos in “Grand Piano,” and a mix of emotions from haiku that capture, with brevity, illusions of time and space. With haunting and vivid language, Williams  has a gift for choosing the right word for the right place."

(from a review by Kathy Lund Derengowski, published in CSPS Poetry Letter No. 2, 2021, reprinted on the CSPS blog.

https://www.californiastatepoetrysociety.com/2021/06/book-reviews-from-poetry-letter-2-2021.html

Chagall, "Peace" - stained glass at the United Nations, 1964

 Marc Chagall: One Man Opera


Chagall recalls history in rainbow-filled hues.

Above lovers’ heads, angels fly with acclaim.

His art reveals levels of multiple views.


To Homeland Russia he repays his dues.

Its churches and temples he paints into fame.

Chagall recalls history in rainbow-filled hues.


His fables, myths, scriptures, and circus revues

show farmlands and towns from where he came.

His art reveals levels of multiple views.


Always his brides are veiled in virtues

and, bearing Godivas, his burros are tame.

Chagall recalls history in rainbow-filled hues.


His acrobat-cocks wear little soft shoes

while tap dancing fiddlers invoke La Fontaine.

His art reveals levels of multiple views.


His works for great cities often début

in etchings, ceramics, and glass that is stained.

Chagall recalls history in rainbow-filled hues.

His art reveals levels of multiple views.



 Marc Chagall, l'opéra d'un seul homme 


Chagall rappelle une histoire aux couleurs d'arc-en-ciel.

Des anges volètent autour de la tête de ceux qui s'aiment.

Son art révèle les facettes d'un multiple regard.


Il rend un hommage légitime à sa Russie natale,

et rend célèbre ses églises et ses temples.

Chagall rappelle une histoire au couleurs d'arc-en-ciel.


Ses fables, ses mythes, ses sculptures, ses critiques de spectacles

représentent les terroirs et les villes natales.

Son art révèle les facettes d'un multiple regard.


Ses nouvelles mariées sont toujours voilées de vertus

et ses ânes porteurs de Godivas sont très doux.

Chagall rappelle une histoire au couleurs d'arc-en-ciel.


Ses coqs acrobatiques portent de petits chaussons

tandis que des violonistes faiseurs de claquettes invoquent La Fontaine.

Son art révèle les facettes d'un multiple regard.


Ses oeuvres pour grandes villes souvant débutent

par ses gravures, sa céramique, ses vitraux.

Chagall rappelle une histoire aux couleurs d'arc-en-ciel.

Son art révèle les facettes d'un multiple regard.


California Quarterly, Vol. 47, No. 1 (Spring 2021)
Cover Art: Harmony (ink and watercolor on paper, 11 by 15 inches) 
by Sylvia Van Nooten, Montrose, Colorado


Editor’s Note

Being a new member of CSPS I find that this is a learning experience for me. Maja Trochimczyk calls poetry a “cure for chaos” and I agree with her.  Many times we go through periods of difficulty and sadness, but it is important to remember that these dark times will eventually pass by like the seasons. With winter comes spring. The universe has a way of balancing itself out in the end. I, for one, have to remind myself constantly how lucky it is to be alive and every day is a new day to see the world differently. From the mundane to the extraordinary, each experience that we find ourselves learning whether it be through obstacles at work like in Richard Matta’s “Another Play Day” where he wishes that he could be a kid again, or the act of simply giving a little boy a bath before bed in “The Completeness” by Alice Pero, an insight into childhood innocence. The joy we find in our daily activities allows us to overcome grief with a brighter outlook when disaster strikes. It is a reminder to never give up hope no matter how difficult the loss. Therefore, nothing should be taken for granted not even our struggles. For the obstacles we defeat and the fears that die away become our strength, teaching us more about ourselves than any college or university.

After wildfires we can learn “To Plant A Tree” as a gift, to “put down roots” and “stand our ground” the way Miriam Aroner does because this is how the world grows anew. Mother Earth has a way of healing herself. Animals possess sacred knowledge in their simplicity, knowing what they know we too may survive the ravages of time. To live in the moment, that is true enlightenment through mindfulness. Claire Scott captures this in her poem “Cedar Waxwings” where hundreds of them are observed landing in the backyard. She describes watching the “show from the window, a kaleidoscope of colors, sound and motion.” Even after they have flown away, she continues to stare at the empty Privet tree in silent serenity. A journey of self-discovery, chaos and turmoil threaten us, but the wisdom of the ancients survive throughout the ages.  We live and learn from personal experiences.  What better way to discover one’s true self than to go through failure and heartbreak, reaching our breaking point and knowing that we can continue on further. I hope that you will also find these poems enjoyable and insightful to the soul.

Bory Thach
San Bernardino, California

Contents of the journal with the list of poets/poems is found on California State Poetry Society blog:

https://www.californiastatepoetrysociety.com/2021/03/california-quarterly-vol-47-no-1-spring.html




Bory Thach was born in a refugee camp located on the border between Thailand and Cambodia. His family immigrated to the United States when he was four years old. He served in the U.S. Army and deployed to Iraq in support of Operation Iraqi Freedom. He has an MFA from California State University San Bernardino. Fiction and creative nonfiction fall under the art of storytelling, while poetry for him is more of a study of language, an art form in itself. His work appeared or is forthcoming in: Pacific Review, Urban Ivy, Arteidolia, Sand Canyon Review and We Are Here: Village Poets Anthology. He recently completed a book of poetry dialogues with Cindy Rinne, Letters under Rock (2019) that has been presented as a quasi-theatrical performance in art galleries and museums in Southern California. He joined the Editorial Board in July 2020 and started his duties from volume 47 no. 1 of the California Quarterly.




Photos of Yucca Whipplei in Big Tujunga Wash (c) 2021 by Maja Trochimczyk 





Sunday, July 4, 2021

Happy Independence Day 2021 to All Poets and Poetry Lovers!


 Happy Independence Day!

We call it the "4th of July" but it really is Independence Day. A celebration of freedom, joy and truth. A holiday of individual and national sovereignty, a celebration of human rights. . . As an immigrant from Poland living in America, I enjoy the freedoms that we lacked in the past in the Polish People’s Republic (PRL) with a puppet government controlled by communists in Moscow – freedom of speech, faith, assembly, the right to build your own life, pursue your own happiness, create your own companies, publish your own ideas...

Our founders, the Founding Fathers, won these freedoms in the American Revolution, in which Polish heroes – Tadeusz Kościuszko and Kazimierz Pulaski – also took part. The model of the American republic inspired Julian Ursyn Niemcewicz, who came to America as Kościuszko's secretary in 1796, straight from a Russian prison, released by the Tsar after two years behind bars, after the fall of the Kosciuszko Insurrection. They liked equality, having no aristocracy, living in a country of everyone's hard work. They didn't like slavery. Kosciuszko even designated his estate to buy out slaves and grant them freedom. Poet, historian, politician, teacher of the nation, Niemcewicz decided to take the American model as an example for the patriotic education of the nation after the fall of the country and its partitions. Out of this idea emerged the Historic Chants, describing the history of Poland's national heroes, with music and illustrations.  During 123 years when Poland was erased from the map of Europe by its neighbors, Russia, Prussia and Austria, the poetry of Niemcewicz remained in the homes, was read and sang in families, continuing the great national traditions of shared history and culture. 


Poetry has long played an important role in the definition of the nation. There are many poems praising the beauty of America, of our country. Among my favorites is "America the Beautiful" with a lovely flowing melody. I printed it on cards I gave out along with my poems during the Independence Day Parades where poets rode in a convertible, and celebrated the national holiday with the whole neighborhood. Half of the town was in the parade, the other half was cheering from the sidelines... Alas the city of Los Angeles refused to allow the parade this year. It would not have looked so festive, anyway, if half of the participants would have dressed up as masked bandits... 


We have plenty to celebrate and be joyous about. All the best wishes to all poets and poetry lovers on the occasion of Independence Day!

Dr Maja Trochimczyk, President


http://poetrylaurels.blogspot.com/2018/07/independence-or-interdependence.html


                   INDEPENDENCE DAY

                   Red - are the rocks of the Grand Canyon
                      White - are the mountains, shining with snow
                          Blue - are the waves of Pacific Ocean

                                 Red, White and Blue - colors of all.  

                                    Red - is the Earth from which we come
                                       White - is the Air that fills our lungs 
                                          Blue - is the Water inside us, with Stardust

                                             Red, White and Blue - connected in all. 

                                                Red - is pure Love, deep in our hearts
                                                   White - is the Brightness of our clear minds
                                                       Blue - is the Peace of well-lived lives

                                                           Red, White and Blue - freedom for all. 







Tuesday, June 29, 2021

California Quarterly 47, no. 2, Summer 2021, edited by Maja Trochimczyk

Cover Art: Butterfly by Susan Dobay, 

48"x 36" acrylic on canvas (1993)


California State Poetry Society is pleased to announce the publication of the California Quarterly, vol. 47 no. 2, Summer 2021, edited by Maja Trochimczyk 

Editor’s Note

Mother – the same word in many languages, the first syllable of a baby, the easiest to pronounce: matr. मातृ (Sanskrit),মা Mā (Bangla), मां maan (Hindi),  ਮਾਂ Māṁ (Punjabi), அம்மா Am'mā (Tamil), mater (Latin), mutter (German), màthair (Scottish), móðir (Icelandic), moeder (Dutch), madre (Italian, Spanish), motina (Lithuanian), mère (French), мајко (Serbian), майка (Bulgarian), mãe (Portuguese), แม่, mæ̀ (Thai), mẹ (Viet-namese). It is мама in Russian, mama in Polish, Romanian, Swahili, and umama in Zulu. Most of these languages are Indo-European, but even the Chinese are not free of the omnipresent “mm” in 母親 Mǔqīn, or 媽媽 Māmā. We have one translation from Chinese in this issue, by Yun Wang, and another one, from Italian, by our indefatigable Margaret Saine. People who speak multiple languages gain insights into multiple cultures and are really blessed. They are able to recognize the essential human unity in the delightful diversity of nations and cultures. While editing the CQ, I like finding shared themes among submissions that bind poems with a common thread. This time, I found mothers, daughters, the joy and loss of childhood, but also solitude, pain, resilience, the Earth, Gaia – our Mother, teeming with life… and the wings of a butterfly, that came out of a humble, hungry caterpillar crawling in the dirt. A lovely butterfly graces our cover in a joyous image by Hungarian-American painter Susan Dobay (b. 1937). Back in 1956, she escaped from Hungary after the Soviet crackdown on the nation longing for its freedom. As long as communist repressions, violence and wars continue, refugees will stream out of lands of totalitarian oppression, searching for countries of peace and freedom. Are any such countries left on this planet? Is there anywhere to escape to? Our escape, as poets, has always been internal: the world of poetry and imagination. The world created by our words, our visions that have become a shared reality in the California Quarterly 47, No. 2. Enjoy!

Maja Trochimczyk, Editor

Masodik29 by Susan Dobay, Digital Integration Image

TABLE OF CONTENTS

California Quarterly, Volume 47, Number 2

  • Mother Wearing Glasses and a Scarf  - Millicent Borges Accardi 7
  • Frosted  -  Kelley Jean White 8
  • Jar of Flowers  -  Daniel E. Blackston 9
  • Supercalifraglistic Rachel Squires Bloom    10
  • Childhood Predictions of Future  Success     -  Jackie Chou 11
  • Lure -  Kristel Rietesel-Low  12
  • Chandra’s Garden -  Gary Metheny 13
  • Where the Roly-Polies Go  When It Rains  - Kristel Rietesel-Low  14
  • House of Music  -     Eric Blanchard 15
  • whoosh… -     Deborah P Kolodji 15
  • The Shipping Forecast    - Harris Coverley 16
  • Will   -    Chris Durand    17
  • Like the Waves   - Purna Sujash  18
  • Imposing its Rust on Everything   -   Millicent B. Accardi 19
  • 送友人  - Li Bai 20
  • Seeing Off a Friend    - Yun Wang, transl. 20
  • Hometown  - Anna Maria Mickiewicz 21
  • Speed of Pain -     Jeffrey L. Taylor 22
  • inscriptions    -     Jamie Duncan 23
  • mother’s recipe  - Susan Rogers 23
  • Solitudine    - Paolo Staglianò 24
  • family album   -   William Scott Galasso 24
  • Solitude  -    Margaret Saine, transl.  25
  • wanted everything  -     ayaz daryl nielsen 25
  • Soliloquy    -     Gary Davis 26
  • Breaker -     Harris Coverley 27
  • Providence  -     Diana Donovan 28
  • Plein Air, Oxford   -    Teresa Bullock 29
  • somewhere still   -     Susan Rogers 29
  • The Landscape of Love -   Nelson Joshua AnandhaRaj 30
  • For the Lemon Tree Alone   - Madeleine S. Butcher 31
  • a scent of roses    - Susan Rogers 31
  • Tree Songs    -  Dana Stamps II 32
  • The Changeling  - Maureen Ellen O’Leary 33
  • Mason Bees   - Maja Trochimczyk 34
  • Figures -    Kath Abela Wilson 35
  • Low Tide -    Marilyn Robertson 36
  • Survival Skills    - Sarah Platenius 36
  • ways   -    Jamie Duncan 37
  • At Temple Preparing to Pray    - Meghan Adler 38
  • The Time Is Now -    Dirk James 39
  • Ascension    -     Mary Elliott 40
  • abruptly -    Gregory Cecil 40
  • Mouth of the River Spitting out  the Sea  -  Eli Coyle     41
  • Breakthrough -   Beth Pollak 42
  • Gypsy Wind -   William Scott Galasso 43
  • This Dance   -    Cathy Porter 44
  • Sunset -   Gary Davis 45
  • spring sunset -    Gregory Cecil 45
  • Moonlight   - Livingston Rosmoor 46
  • Mother’s Way    -    Kath Abela Wilson 46
  • Nocturne 23    -    Jeff Graham 47
  • The Runaway Moon  -  Dirk James 48
  • Loveland   -    Sam Barbee 49
  • Aristophanes    -  Gary Davis 50
  • Susan is Dancing on the Moon    -    Kathi Stafford 51
  • Grace Notes -    William Scott Galasso 52
  • A Song-Distance Away    -    Nelson Joshua AnandhaRaj 53
  • Song Offering, Because Love   -    Ambika Talwar 54
  • Rain     -     MaryJo West 55
  • To a Mother -     Susan Rogers 56
  • The Light   - Dennis Ross 57
  • Flight of Longing -   Ambika Talwar 58
  • summer breeze   - Deborah P Kolodji 59
  • The Intransigence of Stars    -   David Starkey 60
  • patio chimes -   Deborah P Kolodji 60

Masodik39 by Susan Dobay, Digital Integration Image

NEWSBRIEFS 2021, NO. 2 (SUMMER 2021)

California State Poetry Society will celebrate its 50th anniversary in 2022. We have not yet decided what format these commemorations should assume, but we are proud of the continuous publication of our journal, California Quarterly, known to 1999 as CQ: California State Poetry Journal and including work by 50-60 poets in each issue. That is a lot of poetry published in 47 volumes! Please note that some volumes were spread out over two years, hence the difference in numbers. Our society changed its name, as well: we started as California State Poetry Association and became a Society in 1985, when incorporating as a public-benefit California non-profit.  If you would like to contribute to the celebrations, send your ideas to me at maja@moonrisepress.com. So far, we have discussed such options as commemorating our past presidents in the successive CQ issues, publishing a brief history of CSPS with notes from past Board members, indexing all 47 volumes of the journal, publishing interviews with key contributors to the CSPS on our blog, and more.
 
We would like to remind our readers that the CSPS Annual Contest deadline is July 31, 2021. Georgia Jones-Davis graciously agreed to serve as the Contest Judge. For more information about her visit our blog: https://www.californiastatepoetrysociety.com/2021/05/meet-georgia-jones-davis-csps-annual.html.

You may submit work by mail or online, http://www.californiastatepoetrysociety.org. We recently changed contest rules, lowering submission reading fees for members of the NFSPS. These poets will pay fees at the level of those for CSPS members. The Annual Contest is open to all poets, regardless of their CSPS membership. While submitting poems to the CQ via Submittable or in other ways, do not forget to include your name, city, state, country and email address on all pages with your poems. We need this information! Also, please, consider sending submissions to Monthly Contests, managed by Alice Pero, our Monthly Contest Judge. 

California Quarterly Editors. We are pleased to announce that William Scott Galasso agreed to join the CQ Editorial Board, and will start editing from Vol. 47, No. 4. Scott is an accomplished poet with a great love for haiku and related genres. He published 16 books and his work appeared in many journals. We are still looking for more Editors to work with us on the CQ Editorial Board. If interested, send your bio to the President, maja@moonrisepress.com.

Membership Dues. Please note that individual dues for 2021 have been increased to $40. Other dues are listed on the following pages. CSPS membership includes four issues of the CQ, access to contests with lower fees, and access to the National Federation of State Poetry Society events and contests – their newsletter, Strophes, is found on the NFSPS website, http://www.nfsps.com/Strophes.html.

The CQ vol. 47 no. 1, edited by Bory Thach, who joined the Editorial Board in 2020, was well received. Terry Ehret commented: “Wow! The poems in this issue are quite stunning! I was especially pleased to see one by Amy Moore. She'd never published her poems anywhere until last fall's issue that I edited. I'm glad she's getting her work out into the world, and glad CQ could help move her forward in her publishing career. Thank you for the excellent work the two of you demonstrate here!” 

The current issue of the CQ vol. 47 no. 2 features a painting by Susan Dobay on the cover. Born in Hungary, she studied in Hungary and the U.S., worked as a commercial designer, and moved on into the fine arts world, while being active  in her native Hungary and the U.S. Her paintings and digital integration images are in many collections in Hungary, Canada, the U.K., Switzerland, and the U.S. She explains her approach to creativity as follows: “I try to find the balance between mind and spirit. My goal is to involve viewers in a creative game where both the mind and the heart are stimulated.”

Members News: Margaret Saine has held zoom conferences on poetry in Chennai and Mumbai. Her book of French poems, Rêveuses Rivières, is being published in Montreal, Canada, and her Spanish book, Respirando bajo el agua, by Cuadernos del Laberinto in Madrid. Three poems by Ambika Talwar are selected for publication in a new collection titled Timeless Inspirations. Three poems of mine are in an anthology of Polish memorial poems, Do Zobaczenia 2 (London). I manage Zoom readings for Village Poets; we recently featured Maura Harvey, Terry Ehret & Nancy Covers Dougherty.

Maja Trochimczyk, CSPS President

Searching by Susan Dobay, acrylic on canvas. 
More information: SusanDobay.om