Monday, June 22, 2020

Winners of CSPS Monthly Contests, November 2019 to May 2020


Alice Pero, the new Chair of Monthly Contests has selected the following poems for recognition as winners of the California State Poetry Society's Contests in the past six months.

November 2019
1. Jane Stuart - "October’s Wind Brings War"
2. Jane Stuart - "When All Was Mystery"
3. David Anderson - "The Moving Spray Rig"

December 2019
1. David Anderson - "Windstruck"
2. Kathy Lundy Derengowski - "A Marriage of Poets"
3. David Anderson - "When Cezanne Painted Mont Sainte Victoire"

January 2020
1. Jane Stuart - "Our Winter Garden"
2. Jane Stuart - "Early on a Winter Morning"
3. David Anderson - "The Apple Spy"

February 2020
1. Pamela Shea - "Rosebuds and Lovers"
2. Jane Stuart - "Dancing Into Love Again"

March 2020
1. Dorothy Skies - "The Coyote’s Howl"

April 2020
No Winners

May 2020
1. Marlene Hitt - "Enlightenment"

Congratulations to all the winners! Well done! 



The First Prize Poems are reproduced below.

November 2019 Winner:
Jane Stuart's "October's Wind Brings War"

October's Wind Brings War

Autumn's sun is hot, as red as a persimmon leaf on a dying tree. It warms the sand
but cools the sea and hard rain blows away our treasures, all the dreams and pretty
things we left behind-but life is cold. The street is mud, your eyes are blistered
diamonds and every book we read .. blew away. Who are we then? If not tired rocks
and broken branches, summer's end rekindled for an hour and then gone-gone
away to sleep like children in a fern patch on a hidden hill. You remind me of an
aging Venus stepping from her shell and I am Vergil dancing star-to-star,
climbing higher, farther from the fire that lingers in Vesuvius's hole.

A swag of evergreen
tied to every door
a sign that signals
the moon sighs
and lonely houses weep

When everything
is gone, gone
and lightning strikes
another cold fire
but the Phoenix sleeps

War
leaves nothing
time is fatal--
your jeans are torn

my dress is old


December 2019 Winner:
David Anderson's "Windstruck"

Windstruck

In the spring winds, you carried the freshly washed clothes
out to hang dry on clotheslines. You hung shirts by their tails
and let the sleeves dangle. You hung pants upside down,
shook the fabric, pulled the pockets out and let any coins fall free

for us to find. Sheets you hung by center-lines and the folds
swung open and closed in the flapping breeze. One by one,
out of the basket, you hung towels, corner after corner,
a varicolored string of rectangles, and shorts, handkerchiefs, socks—

You walked one line to the end and returned on the next, measuring
out briefs and lingerie against the breeze, still cold from winter.

We ran between the sheets and towels and let the yet wet
cloth slap our faces and the sunstruck sheets blind us.

How could we not praise the winds that sucked our laundry dry
and left behind sheets and clothing stiff with sky?


"Windstruck." Originally published in Time of Singing. 2015 Spring; 41(1). First Place, July 2014 CSPS Contest. It also appears on Anderson's personal website and was emailed in his Poetry Letter, no.2, June 2015 and no.8, Dec 2015.


January 2020 Winner:
Jane Stuart's "In a Winter Garden"

Our Winter Garden 


Our winter garden greens under dark snow
that fell upon the terrace in our sleep--
the moon's shadows glisten and glow,
the wind makes footprints that are deep
beside the garden wall that is so tall
it almost reaches the winter sky--
and now, the lightest morning snowflakes fall
from greyest clouds stuck to the sky.
Snow falls where flowers bloomed and young trees grew
up, up, to blossom on a summer day.
The garden was a green place where birds flew
 in flocks to find their nests; time blew away
 these months then winter raindrops fell with snow
over dark earth under the full moon's glow.



February 2020 Winner:
Pamela Shea's "Rosebuds and Lovers"

Rosebuds and Lovers

The bud of a rose,
Layer on layer of petals,
Held tightly, perfectly,
Unfolding when the time has come,
Bursts open and a flower is born,
Releasing sweet perfume.

The heart of a lover,
Layer on layer of emotions,
Trembling, hidden, waiting,
When touched by the beloved,
Bursts open and a poem is born;
Sweet music fills the air.


March 2020 Winner: 
Dorothy Skiles's "The Coyote's Howl"

The Coyote’s Howl

January’s draught
portent of a scorching
summer to come…

The San Gabriel Mountains
and Verdugo Woodland’s
are but a tinder box-
terrain covered with
chaparral, a dry dense
stubborn thicket -
fuel for wildfires.
On summer nights beneath
the full moon’s light, coyote’s
coat the color of nickel.
Her features gaunt, gait less
confident, yet her sense
of smell remains keen.

From dusk to dawn
she traverses the ridges,
the low-lying hillsides
hunting rodents and rabbits.
She often treks into
neighborhoods, climbing
fences as swift as a thief.
The coyote is not too proud
 to forage for plums,
berries or pears.

This fall as the Santa Ana
winds rage, I’ll listen
for the coyote’s howl,
wondering if she’ll
make it through
the threat of famine,
the peril of wildfires,


sure, to come!



May 2020 Winner:
Marlene Hitt's "Enlightenment"

Enlightenment
A dust devil blew in
from my childhood.
Dead leaves whirled up
from summer’s hot soil
while a jay feather flew birdless
swirling into midsummer sky
up to the puffs of white cloud
as on the day when I was ten,
when I ran into the vortex
trying to find a secret
in the center of the whirlwind
only to rush away
with sand in my eye.
Why does that thrill return
as the wind whirls in?
And why, now, do I run away?


Alice Pero, the judge of the Monthly Poetry Contests, joined the CSPS Board as a Director at Large  in May 2019. She has published poetry in many magazines and anthologies, including Nimrod, National Poetry Review, River Oak Review, Poet Lore, The Alembic, North Dakota Quarterly, The Distillery, Fox Cry Review, The Griffin, and G.W. Review, and others. Her book of poetry, Thawed Stars, was praised by Kenneth Koch as having “clarity and surprises.” She also published a chapbook Sunland Park Poems, written as a dialogue with Elsa Frausto.

Pero teaches poetry and is a member of California Poets in the Schools, a nonprofit dedicated to empowering students to express their uniqueness through writing, performing and publishing their own poetry. She is also the founder of Moonday, a reading series that has been on-going in the Los Angeles area for upwards of sixteen years. Ms Pero has created dialogue poems with more than twenty poets. She also created the performing group, Windsong Players Chamber Ensemble and performs with them as a flutist.

Nature photos from Big Tujunga Wash and Southern California gardens
by Maja Trochimczyk


Tuesday, June 2, 2020

Welcome to New Board Members, Ambika Talwar and Konrad Tademar Wilk


On May 2, 2020, the Board of Directors of the California State Poetry Society voted to approve the addition of two new Directors at Large to our team, poets Ambika Talwar and Konrad Tademar Wilk. We welcome our new colleagues; their insights and creativity will be an asset for CSPS.

At the same time, the Board acknowledged receiving resignations from long-time Board Members and Editors of the California Quarterly, Pearl Karrer who served as Editor and Editorial Chair, and Nancy Cavers Dougherty who was one of the Editors. We thank the outgoing Board members for their years of dedicated service to the CSPS, working as Editors to make sure the California Quarterly contains only high quality poems and that it is produced without errors. We wish you all possible success in your future poetry endeavors.

AMBIKA TALWAR

Ambika Talwar is an India-born author, wellness consultant, artist, & educator whose vision is to realize her sacred destiny and invite others to find their brilliance.  Insights gleaned through life challenges have prompted her to make her poetry a call to action. Composed in the ecstatic tradition, her poetry is a “bridge to other worlds.” She has authored Creative Resonance: Poetry—Elegant Play, Elegant Change and also 4 Stars & 25 Roses (poems for her father).  She is published in various journals and anthologies including Kyoto Journal, Inkwater Ink - vol. 3; Chopin with Cherries; Meditations On Divine Names; VIA-Vision in Action; in Poets on Site collections; St. Julian Press; Tower Journal; Enchanting Verses; Quill & Parchment; California Quarterly; Life & Legends, and others. She has also interviewed with KPFK and Human Frequency Radio, and recorded poems for the Pacific Asia Museum in Pasadena, California.

Ambika's works also appear in Grateful Conversations (2018), a collection of poems, photos and essays by Westside Women Writers based in Southern California. Her poem Sweet Fire Dance of Dissent (for Rilke's Spanish Dancer) was nominated for the Pushcart Prize by the editors. In 2018, she was one of 10 to earn Commendable Mention in The Great India Poetry Contest spearheaded by On Fire Cultural Movement, and, has since been a judge for their weekly poetry contest in 2019.

In 2016, Ambika published My Greece: Mirrors & Metamorphoses about her travels through Greece in 2002. It is a poetic-spiritual travelogue that seeks to discover our collective human purpose. She asserts it is time for creatives to offer a new narrative to change our worldview, which has led to destructive ways to one that arises harmony.  A grateful and willing performer, she has read at various venues in Southern California and also at the Eden Hall, Chatham University, Pittsburgh. Ambika also made a short film titled Androgyne in 2000 for which she earned the Best Original Story Award at a festival in Belgium. She wrote, produced, and directed this film. She has also written two original feature-length screenplays.


Also a wellness, practitioner, Ambika practices IE:Intuition-Energetics™, a powerful fusion of modalities and creativity principles for speedy recovery from ailments and practice being whole again. “Both poetry and holistic practices work beautifully together, for language is intricately coded in us. And we must be free of false beliefs and confusions,” she notes.  This process achieves speedy and efficient results. An English professor at Cypress College, California, Ambika makes her home in Los Angeles and in New Delhi, India.

Sites: http://creativeinfinities.com * http://goldenmatrixvisions.com
Interviews: https://www.loispjones.com/taoli-ambika-talwar/
Human Frequency Radio: https://www.youtube.com/watch?v=mn8w5Tg2yVQ
Poetry Offerings: http://www.patreon.com/goldenmatrixvisions  


KONRAD TADEMAR WILK

Konrad Tademar Wilk is an American poet living in Los Angeles. His works range from single sonnets to epic poems on themes including current events, myth, and philosophy. In addition to American subjects, his work is strongly informed by international events and history, especially those of freedom and oppression. Tademar's early childhood was spent in Poland where he was particularly influenced by the rise of the anti-communist Solidarity labor union.

Following his return to the U.S., he studied philosophy and literature at Los Angeles City College where he was president of the Poet's Platform. He then went on to graduate from UCLA. His poetry book Fifty Sonnets, titles like labels only get in the way... is available for purchase on-line.  Other poetry chapbooks are out of print. He is currently working on two epic poems "Prometheus" and "Trafficking In Time" - scheduled for release in the near future. He has appeared in Los Angeles venues such as the Onyx, Ground's Zero, Magicopolis Theater, Wilshire Art Gallery, Bolton Hall Museum, and Pig and Whistle. In 1991, he founded the Witching Hour Poetry Gathering which has met continuously for over 20 years. 

Additionally, he is a founding member of the Pecan Pie Organization, dedicated to artistic promotion and stage performances.  Mr. Tademar recently served as the artistic director for Warsaw 80/75 performance of poetry, dance and music, celebrating the 80th anniversary of the outbreak of WWII (German attack on Poland), and the 75th anniversary of the Warsaw Uprising in 1944.  The event was held at the Santa Monica Playhouse in September 2019.

 Some of his stories and poems are available on the internet. https://angiesdiary.com/author/konradtademar/ - 138 poems posted since 2010
https://angiesdiary.com/stories/romantic-story/angel/
https://angiesdiary.com/stories/miranda-eithn/ http://www.scribd.com/doc/139129443/The-Lady-and-Her-Man-With-Images http://www.scribd.com/doc/139399595/Qi-a-poem


Monday, May 11, 2020

Montreal Poetry Prize Submissions Due by 1 June 2020



The Montreal International Poetry Prize is committed to encouraging the creation of original works of poetry, to building international readership, and to exploring the world’s Englishes.
The Montreal International Poetry Prize awards one prize of $20,000 CAD to one poet for a single poem of 40 or fewer lines. A jury of internationally reputed poets and critics select a shortlist of 50 poems, from which a judge chooses one winning poem. The shortlist of 50 poems is published in The Global Poetry Anthology. The prize is run by the Department of English at McGill University in Montreal, Canada.

Note on the 2020 competition: The usual deadline of 15 May has been extended to 1 June 2020 in response to COVID-19. Submit your poems and pay fees on the website: https://www.montrealpoetryprize.com/

HISTORY

The Montreal International Poetry Prize was founded and incorporated as a not-for-profit organization in 2010 by the poet and critic Asa Boxer, with the help of Peter Abramowicz and Len Epp. It sponsors a crowd-funded biennial competition, awarding one prize of $20,000 to one poet for a single poem. The Prize has been awarded four times since 2011.

The Montreal International Poetry Prize has become a truly global competition, supported by its international jury of award-winning poets from North America, the Caribbean, the UK, Ireland, Australia, New Zealand, India, Nigeria, and Uganda, and with participants from more than 70 countries. The management of the Prize has recently been transferred to the Department of English at McGill University.

An exceptional history distinguishes Montreal as a centre of poetry. Some of the first anthologies of Canadian poetry were produced in Montreal, including E.H. Dewart’s Selections from Canadian Poets (1864) and W.D. Lighthall’s Songs of the Great Dominion (1889). At the beginning of the twentieth century, Sir Andrew Macphail of McGill University played a key role in the careers of a number of poets, foremost among them Marjorie Pickthall, through his editing of the University Magazine (1907–20) from his home on Peel Street. An important new phase began in the late 1920s with the Montreal Group, a circle of poets including A.J.M. Smith, A.M. Klein, and F.R. Scott. They and their followers helped to inspire the development of modernist poetry in Canada through the McGill Fortnightly Review in the 1920s, the 1936 anthology New Provinces, and the 1940s magazines, Preview, First Statement, and Northern Review.

McGill’s Department of English has enjoyed a long, sustained tradition of work in poetry, through the expertise of many faculty members over time. In the 1950s, Louis Dudek established himself as one of Canada’s leading poets and critics. He mentored Leonard Cohen and exerted an influential presence in the department until the 1970s, both in the classroom and beyond, through publications such as Scrivener Creative Review. The Faculty of Arts now boasts a robust faculty complement in poetry, reflective of the department’s commitment over time to cultivating creative work in and critical work responsive to poetry.

PAST WINNERS

2017:  Erin Rodoni https://www.montrealpoetryprize.com/2017-competition
2015: Eva H.D. https://www.montrealpoetryprize.com/2015-competition
2013: Mia Anderson https://www.montrealpoetryprize.com/2013-competition
2011: Mark Tredinnick https://www.montrealpoetryprize.com/2011-competition



Thursday, April 9, 2020

California Quarterly 46:1 (Spring 2020) Edited by Margaret Saine


We are pleased to announce the publication of the California Quarterly Vol. 46, No. 1 (Spring 2020) in April 2020. With a beautiful cover featuring Manoscritto di una vita 2018 (Manuscript of a Lifetime) by Enzo Patti, this issue is a joy to behold. Congratulations to all the poets. And thanks to Margaret Saine for tirelessly translating poems from so many languages and connecting the California Quarterly to the whole world of poetry and poets.

Manoscritto di una vita 2018 (Manuscript of a Lifetime) by Enzo Patti


EDITOR’S NOTE

Ah, the good news, in the plural! David Sapp, 2018 grant recipient of the Ohio Arts Council,
writes: “Thank you so much for publishing ‘Tree Frog’ in the California Quarterly. I am enjoying
other portions of your wonderful publication. What a handsome issue!”

Hey, and which is David Sapp’s praised issue? I search high and low, because we don’t have a
cumulative alphabetical CQ poetry index yet, alas. It was my last issue, 44:4, he praised! And did
not complain one peep about the translations, which I love doing. So I am doubly proud.

And here is a comment from another contributor: Terrence Sykes: ”Ute Margaret Saine, many thanx to
you again for both my appear- ances in this little gem of a journal... I open the pages and read
words of my friends from across the USA and around the world and many I don’t know, yet we are
poetically kin.”

Yes, poetry’s long, embracing arms reach around the world, like a huge, loving octopus; poets talk
to each other, no longer just whis- tling via Paris and New York, but across the globe. That’s what
we want, don’t we?

Love and thanks to all the lovers of poetry!
Margaret
Don’t hesitate to email me, at umsaine@gmail.com, about anything.

Margaret Saine                                             
Irvine, California                                       


Nascita del Due del Libro e della Poesia, by Enzo Patti


TABLE OF CONTENTS

California Quarterly, Volume 46, Number 1, Spring 2020

de Agua Salada - Mario Zúñiga Núñez 7
from Salt Water - Margaret Saine,Tr. 7
Italy Meets Ivory Coast - Kalyna Temertey-Canta 8
Dejaste un papel amarillo... - Javier Campos 9
You left a yellow paper... - Margaret Saine,Tr. 9
Love in a Field of Miners’ Lettuce - Susan E. Gunter 10
Fata Morgana in a Field of Tarweed - Dave Seter 11
Dusk - Aidan Coleman 12
World of Dreams - Alessio Zanelli 13
View from the Ranch - Alice Pero 14
“golden leaves fluttering birds...” - Rebecca Anne Banks 14
Not Mine to Shape -  David Anderson 15
Interlude in the Trader Joe’s... -  Joanne Jagoda 16
Hiking After the Dinner Party - Chris Foster 17
Milton’s Fluid - d.p. houston 17
Мигът - Alexander Shurbanov 19
Moment - Alexander Shurbanov, Tr. 19
What’s Inside - Beth S. Pollak 20
I Was Wild Once - Gwynn O’Gara 21
Elevator -  Cathy Porter 22
Men at Work - Tasha Cotter 23
Kite  - Clarke Andros 24
Recuerdo - Alejandra Castellanos 25
Memory - Margaret Saine, Tr. 25
The Moon Is an Egret - Michael Montgomery 26
Melancholie - Karl Greisinger 27
Melancholy - Margaret Saine, Tr. 27
Committees - David Pratt 28
Home Front: A Remembrance - Jean Esteve 29
Politicians - Pande Manoylov 30
Del Origen - Otoniel Guevara 31
About the Origin - Margaret Saine, Tr. 31
No Cure - Claire Scott 32
The Road of Love - Timothy Fab-Eme 33
Armonia - Rita Stanzione 34
Harmony - Margaret Saine, Tr. 34
Stars Behind Your Eyes - Susan Richardson 35
Impara la tua arte... Claudia Russo 36
Learn your art... Margaret Saine, Tr. 37
Alertos emergen los verdes - Jeanie R. C. Toscano 38
Alert the greens emerge - Margaret Saine, Tr. 39
Epithalamion - John Blair 40
definitorio - Elizabeth Soto 41
in lieu of a definition - Margaret Saine, Tr. 41
Snowmelt - Marianne Karplus 42
A Second Look - John Schneider 42
Do the Garden Snails Know? - Lane Larson 43
de la utilidad de la poesía II - Eliécer Almaguer 44
on the usefulness of poetry II - Margaret Saine, Tr. 45
Sculpture - Lisa Shirley 46
Vision - Matthew J. Spireng 47
The Dame Who Marks Time - Marie Lecrivain 48
My Hollow Window - Marilynn Talal 49
Paying the Ferryman - Ruth Holzer 50
Door - Benjamin Nash 51
Mom & the Bridge - Kristin Lawrence 52
Wish - Patricia Nelson 53
When... Donald Fisher 54
Last Pomegranate - Maja Trochimczyk 55
Hai bevuto una spremuta - Terry Olivi 56
You drank a freshly squeezed - Margaret Saine, Tr. 57
Agonies of Sand - Savita Singh 58

Appunti di viaggio, by Enzo Patti (2018)



ABOUT THE EDITOR

CSPS SECRETARY  - MARGARET SAINE, Ph.D.


Ute Margaret Saine was born in Germany. After a Yale Ph.D. in French and Spanish, she taught languages, literature, and culture in California and Arizona, as well as writing and translating poetry in five languages. Since 1991, she has been a board member of the CSPS and a CQ editor since 1994. She also edits the CSPS Poetry Letter, now on the CSPS website, and formerly served twice as the CQ Annual Contest Chair. For ten years, until June 2019, she gathered all submissions from the Orange PO Box, distributing them to editors. 

Her poems have appeared in many journals here and abroad. She has published five books of poetry in English – Bodyscapes, Words of Art, Lit Angels, Gardens of the World  and A Book of Travel– as well as six haiku chapbooks in five languages. Four books of poems and a postwar childhood memoir have been published in Germany – Das Flüchtige bleibt (The Ephemeral Remains); Das Weite suchen (A Yen to Travel); Atem der Stille (The Breath of Silence); Ein Lied davon (Same Old Song); and Ungeschicktes Kind (Awkward Child). Searching for Bridges is a bilingual English-Arabic book of her poems edited by Palestinian poet and critic Nizar Sartawi. Saine’s poems in Italian are to be published in 2020. She has edited many CQ issues, most recently vol. 44, No. 4. 





http://moonrisepress.com/lit-angels-by-margaret-saine.html
http://moonrisepress.com/gardens-of-the-earth---saine.html







Sunday, March 29, 2020

CSPS President's Newsbriefs 46:1, Spring 2020



I am pleased to inform our members that CSPS received a $2,000 grant for poetry workshops and distribution of poetry volumes to youth at Phoenix House California, enrolled in substance abuse and mental health treatment. This grant is a part of a larger project, funded by the Dignity Health Foundation – Northridge Hospital, entitled “Close to Nature – A New Approach to Teen Behavioral Health.” CSPS is one of four small nonprofits collaborating with Phoenix House, along with the Theodore Payne Foundation for Native Plants, and the Saffyre Sanctuary. The main idea of the project is that engagement in healthy pursuits – like hiking, study of nature, equine therapy, creativity, and reading and writing poetry – is an antidote to addiction and a great resource for lasting recovery. We are looking forward to activities and reports by CSPS members Pamela Shea, Cile Borman, and Beverly M. Collins who will lead poetry workshops with the high-risk youth, once the current state of emergency is lifted and we are all healthy and happy as larks!


We are working very hard to ensure the future viability of our organization, seeking additional grant funding and inviting more poets to join the CSPS. We welcome all new and returning members! We have been very lucky in successfully adding Alice Pero to our Board of Directors, as Director at Large; she will assist us with her insights and experience. An author of two poetry volumes (Thawed Stars and Sunland Park Poems, the latter in a dialogue with Elsa S. Frausto) and hundreds of published poems, Ms. Pero is the founder and co-curator of the celebrated Los Angeles poetry series Moonday, a teacher of poetry in elementary and middle schools, and a talented flautist, leader of the Windsong classical music ensemble. Ms. Pero has recently been named the 10th Poet-Laureate of Sunland-Tujunga (2020-2022). As the 6th Poet Laureate, I’m so pleased to see the laurels being passed from our 9th, Pamela Shea, to Alice! The perfect 10! Congratulations!

The CQ Editors nominated the following poets for the annual Pushcart Prize 2019: Stephen Ajay, Susan Bernando, Holly Day, Alice Pero, Margaret Rooney, and Russell Salamon (posth.). Congratulations to all poets! Details, titles, and sample poems are on out blog, californiastatepoetrysociety.com.


Submissions to our Annual Poetry Contest 2020 are now being accepted, either via the website or by mail to the Annual Contest Chair, Joyce Snyder. The deadline is June 30, 2020 and we hope to receive many inspired submissions. The Judge is Kaecey McCormick. More information is posted on our blog,

The reader responses to the past two issues of the California Quarterly were enthusiastic and rewarding. My issue of the CQ 45:3 (Autumn 2019) included a tribute to former editor Russell Salamon, that elicited words of praise: “Maja Trochimczyk has set the season’s table with a bounty of diverse and inspired voices in this most recent issue of the venerable California Quarterly. So far, I’ve seen wonderful work by Georgia Jones-Davis and Susan Rogers, but much more to be appreciated. Lovers of Russell Salamon‘s work will find a tribute written by me along with a few surprises from Russell, the former editor of CQ and much missed poet.” (Lois P. Jones). “Celebrating dear Friend and lover of all of us poets, Russell Salamon... all his encouragement and vision..., his way of savoring wonder and cherishing the wonder of others… Russell always amazed me with the endlessness of his wonder and his confidence that poetically there was always more to be said. He always proceeded to say more, and exquisitely so. He participated in Poets on Site performances and books, with a vivid grace and confidence is our work. I was honored also to write with him responsively with delight.” (Kathabela Wilson). “Fabulous poems by Russell Salamon and one of my favourite journals! Love the cover! Congratulations to Lois and Russell and to all published in this issue!” (Linda Ibbotson).



Readers also praised the whole issue: “Isn't it amazing how the poems in that issue seem to be united, like creatures who find themselves nurturing one another beneath the soil.” (Alice Pero). “I’m so proud to be included alongside the such skilled poets.” (Ed Rosenthal). “I’m thrilled to be a part of this issue of CQ!” (Georgia Jones-Davis). “As usual, it’s a beautiful journal: as a frequent contributor, I’m more and more proud to see my work in it along with that by excellent authors.” (Alessio Zanelli). “I've been wanting to tell you how lovely your issue turned out! Beautiful poems and flow! Selection… And every time I pick it up, I find another poem to enjoy. It's so very nicely put together.!” (Nancy Covers Dougherty) “Thank you for the autumn issue of CQ. I appreciate having my submission of “Greening” published in it. The writing in the journal is inspirational to me. I have renewed my membership in the CSPS, and I have ordered an additional copy of the issue. I appreciate the work you do for writing and writers.” (P.C. Moorehead). “Thank you so much for your committed contributions to our shared poetic passions.” (Linda Hendrickson-Baral). “I am pleased and honored to be part of your collection. Thank you very much for all your hard work.” (Susan Morrison). “Thank you for including my poem in this edition of CQ. It is an honor to be part of this publication.” (Mariano Zaro).


Pearl Karrer, the Editor of CQ 45:4, Winter 2019, shares some responses from readers: “The winter issue is full of wonderful poems, and I'm honored to have my work included. I’m sure that having my poems published in CQ helped me to finally have a collection of my poems publishes, a dream come true! (Johanna Ely).”The cover is a masterpiece!” (Maura Harvey). “I am so excited to be in CQ again...” (Allegra Silberstein). “Wonderful...Delighted to have 2 poems in the issue.” (James Deahl) “Lovely! Thank you for the book, and your beautiful cover! I am proud to be part of it.” (Martina Nicholson). “Thank you so much for the opportunity to share my work!” (Susan Bernardo). “The edition is so well done...You have selected so many wonderful deep and contemplative poems. I keep rereading the poems...” (Joyce Snyder).

Margaret Saine’s News: Longtime CQ contributor Pande Manojlov writes: “On February 13th, 2020, I received the most important poetry award of his country, the Republic of Macedonia: the ‘Aco Shopov Prize’. I am very happy!”  Congratulations, dear Pande! Kalyna Temertey, from Toronto and the Toscana, and Nizar Sartawi, from Amman, Jordan, visited the poetry festival in Kérala, Tamil Nadu. And what did they talk about? The CQ, of course! :-). Susan Gunter, who is fluent in Bulgarian, due to a lengthy stay in the country, is bringing Alexander Shurbanov’s poems to our attention in the current issue of the CQ 46:1. Dr. Shurbanov has translated his “Moment” into English himself.

Margaret Saine was invited to read her Spanish poems at several events of the “Semana de Cultura” in Holguín, Cuba, in January 2020. CQ poet Eliécer Almaguer was one of the organizers and I met lots of great poets and novelists, among them Elizabeth Soto, who are published in CQ 46:1. Let’s enjoy this issue and have fun writing & promoting poetry in 2020. 
                                                             
~ Maja Trochimczyk, Ph.D.
   President, CSPS



Thursday, February 20, 2020

2020 Annual Poetry Contest - Submissions Due by 31 July 2020



CSPS ANNUAL POETRY CONTEST 

Submissions Accepted March 1st – July 31st, 2020 
$100, $50, $25 Cash Prizes for 1st, 2nd and 3rd Places, 
Plus Publication in the California Quarterly, Vol. 46, No. 4 (2020 Winter) 
Reading fees: Members, $3.00/poem; Non-members, $6.00/poem 

Winners will be announced in September 2020. Submissions are now welcome of original poems with 80-line (two-page) limit per poem.

Send a cover letter with all poet information and a list of the submitted poems, as well as one copy of each poem with no poet identification, and a check for the reading fees to: 
CSPS Annual Contest Chair 
3371 Thomas Drive 
Palo Alto, California 94303 



CONTEST JUDGE: KAECEY MCCORMICK

 Kaecey McCormick is the 2020 Contest judge. She is an author, artist and educator who was named 2018-2020 Poet Laureate for the City of Cupertino. She holds degrees in Anthropology & Psychology from UCLA and the University of Maryland, and an MFA in Writing from Lindenwood University. Her poetic work has been featured in numerous journals & anthologies. Her recent chapbook, Pixelated Tears is currently available and her book The Creativity Blueprint is forthcoming in late 2020. 



Angeles National Forest, December 2019



THANKS

by Kaecey McCormick

We sit on the cool rocks and watch the stars swing past the moon
kicking up the dirt, dropping pixelated tears as they go.

It’s seeing this with you against the silhouette of our grief:
the burned dreams, the small mounds of dirt under too-large stones,
our fingers reaching for each other’s in the dark.
Their laughter breaks through the glass of our memories,
turns our shroud to dust, tugs at our lips and pulls up the corners.
It dries our eyes with handkerchiefs sewn from patchwork dresses
dyed in kindergarten colors and the mood shifts, floats us toward the harvest moon – 

raises our eyes from the dead.

I’m watching you smile as you watch their joy and a quiet thrill grabs
my throat because I know what we have though not enough is enough.
And my fingers
as they stroke the soft flesh on the inside of your arm
whisper thanks.


Big Tujunga Wash, January 2020

ANNUAL CONTEST WINNERS AND JUDGES

2019    Lisa Rosenberg, Judge. 1st Prize to Robert Keeler for "Stone, She".

2018    MaryLee McNeal, Judge. 1st Prize to Peter Parker for "Moonlight".

2017    Kevin Hearle, Judge. 1st Prize to Claire Scott for "Before".

2016    Neshama Franklin, Judge. 1st Prize to Claire Scott for "To Her
            Psychiatrist."

Earlier Information back to 2012:


Nature Photos by Maja Trochimczyk from Big Tujunga Wash, Angeles National Forest.

Wednesday, January 8, 2020

President's Newsbriefs 45:4, Winter 2019

The Newsbriefs No. 45:4 appeared in the California Quarterly vol. 45 No. 4, edited by Pearl Karrer and printed at the end of December 2019. Here is a reprint of this informational post for your convenience.

NEWSBRIEF 45:4 (WINTER 2019) 

Trochimczyk, State Senator Anthony Portantino and Suzanne Lummis

As President of California State Poetry Society, I was delighted to present the Honorary Membership in the Society to the extra-ordinary poet Suzanne Lummis. The presentation took place at Bolton Hall Museum on October 27, 2019. The Village Poets of Sunland Tujunga hosted  the event that included also a featured reading by Ms. Lummis, presentation of a Certificate of Appreciation by State Senator Anthony Portantino, an open mike reading by local poets, and a reception. Sen. Portantino is a poet and a great friend of poetry; he came in person to our event because he owes a huge debt to Ms. Lummis, who encouraged him to read his own poetry at public literary events. We are all so grateful to Suzanne for all she does for poetry and for her insights and talent!


Lummis’ poems have appeared in The Hudson Review, Antioch Review, Ploughshares, New Ohio Review, Plume, The American Journal of Poetry and The New Yorker. Her most recent collection, Open 24 Hours, won the Blue Poetry Prize (Lynx House Press, 2014). Previous full-length collections include In Danger (Round-house Press/Heyday Books) and Idiosyncrasies (Illuminati). Suzanne edited Wide Awake: Poets of Los Angeles and Beyond (Pacific Coast Poetry Series, Beyond Baroque Books), noted in The Los Angeles Times as one of The Ten Best Books of 2015. She also was principal editor of the anthology, Grand Passion: The Poets of Los Angeles and Beyond. 

  Ed Rosenthal, Suzanne Lummis and Trochimczyk with Rose and Peacock Bouquet, plus peacocks

 An influential teacher in Los Angeles, she leads private workshops and has taught for many years at UCLA. The director of The Los Angeles Poetry Festival, she has been associated with the following schools and poetic sensibilities: The Fresno School (students of Philip Levine); Stand-Up Poetry that aspires to combine the dynamism and bracing irreverence of performance poetry with the skill and attention to detail found in literary poetry (term by Charles Webb); The Poem Noir (named by Lummis herself), with dark themes, atmosphere, and voice of cool detachment that are inspired by the low budget black-and-white crime movies of the 40s and 50s; and, last but not least, Los Angeles Poetry.

In addition to the various certificates, congratulations were offered to Ms. Lummis by CSPS members who attended the ceremony: Kathabela Wilson, Pamela Shea, and Ed Rosenthal.

MEMBERS NEWS 

Trochimczyk, Lummis, Modiano at Beyond Baroque Gala

Congratulations to Richard Modiano, CSPS Vice President for Communications, for his Special Award from Beyond Baroque, for years of dedicated service as Executive Director of this amazing cultural institution. We are lucky to have Mr. Modiano join us at CSPS. During the 9th Annual Awards Dinner, held on November 10, 2019, awards were also presented to outstanding poets: Harryette Mullen, Diane Luby Lane, and Johanna Drucker.

While Havana prepared to celebrate the 500th anniversary of its founding, Maura Harvey made her third visit to the vibrant city. Once again, she spread the word about CSPS among poets and artists. Cuba supports the arts at a level unknown to us Americans. Poetry and literature in general, music, dance, and all visual arts are a part of daily life. Maura has been invited to participate in the International Poetry Festival of Havana.



Ed Rosenthal, whose “Coyote” appears in CQ 45:3, has published his memoirs inspired by his experience of being lost in the Mojave Desert and miraculously found after a 6-day ordeal. He previously published a book of poems based on this experience, The Desert Hat (Moonrise Press, 2013) named after the poet’s canvas hat on which he wrote farewell messages to his wife and daughter.

Photo by Maja Trochimczyk

In this winter of 2019, we are celebrating holidays and the start of the New Year. It is a new start for CSPS as well: the votes have been counted, and poets voted to approve the slate of Officers for the next two years: Maja Trochimczyk (President), Richard Modiano (VP, Communications), Richard Deets (VP, Membership), John F. Harrell (Treasurer), Margaret Saine (Secretary/Historian).

Photo by Margaret Saine


MEMBERSHIP RENEWAL FOR 2020

We remind all members about the payment of dues. Annual renewal of memberships in the CSPS takes place each year in December for the following year. Membership runs January 1st to December 31st. If you join mid-year and we have them, you will receive the prior issues of CQ for the year.

You may renew membership through the website (californiastatepoetrysociety.org) or by mail. If you have registered and signed in onto the website, you can see boxes at the right for paying for or renewing your membership. If you can't see any boxes, you are not signed in and may wish to pay by mail.

If you're paying by mail, click CSPS Membership Form to open a membership form in a new window and print it. Membership inquiries and payments by mail should be sent to: CSPS Treasurer, Dr. John Harrell, at 18732 Piper Place,Yorba Linda, CA 92886.


For 2020, they are still at the very low $35 per person for individual poets. You may pay the dues online, after registering on our website: californiastatepoetrysociety.org. Only after you register (lower right corner of the screen), will you be able to use the PayPal system to make your payment of dues. Please add $3-5 for PayPal fees, so your total will be $38 for  individual members located in the U.S. and the following totals:

Membership Categories: 
  • Domestic Individual $35 per year ($38 online)
  • Domestic Family $39 per year (four members max; $42 online) 
  • Domestic Institution/Library $39 per year (no contest entry rights) 
  • International Individual $51 per year (56 online)
  • International Family $55 per year (four members max, $60 online) 
  • International Institution/Library $55 per year (no contest entry rights) 
Be sure to submit the names of those included in a family membership so they have contest entry rights with the CSPS and the NFSPS. Library memberships receive the publications listed above, but carry no contest entry rights with them.

Please consider supporting our activities with donations. All Board Members and Editors of the California Quarterly work as volunteers and make personal contributions to support the CSPS.

Donor and Patron Categories 

  • Donor ~ Membership + $5, $10, $15, or $20 
  • Patron ~ Membership + $25, $50 or $75 
  • Silver Circle Patron ~ Membership + $100 
  • Gold Circle Patron ~ Membership + $200

Benefits of CSPS Membership as of 2019 
  • Quarterly receipt of the California Quarterly, which includes the quarterly Newsbriefs in the pages at the back of the issue. The CSPS Poetry Letter and the Strophes newsletter of the National Federation of State Poetry Societies (NFSPS), previously available in print format, now may be read online under the Newsbriefs tab on the californiastatepoetrysociety.org website, or on the national website, NFSPS.com, respectively.
  • Reduced reading fees for the CSPS monthly contests ($1.50 per poem vice $3.00 per poem - two poems minimum).
  •  Entry rights to all NFSPS national poetry contests.
  •  A link from the CSPS Links page to his or her personal website (if any) 


Grateful for 2019, we are looking forward to writing & promoting poetry in 2020.
Happy New Year!

~ Maja Trochimczyk, Ph.D.
   President, CSPS 

Trochimczyk at the Kosciuszko Foundation in New York, January 5, 2020